Mozarts musikaliska retorik: en studie av musikaliskt avbildande element i Mozarts operor
DOI:
https://doi.org/10.7557/4.2399Keywords:
W. A. Mozart, opera, musical rhetoricAbstract
This article investigates and describes the components of Wolfgang Amadeus Mozart's musical rhetoric as they are visible in his operas from Zaide (1780) to Die Zauberflöte (1791). The relationship between verbal text and musical text is in these operas especially intimate, and Mozart used the musical text to illustrate, paint and comment the verbal text. Mozart's views on the compositional process, visible in his letters, rested on the notion that music should portray the characters, emotional content and action of the play, all within the harmonic laws of the time. To achieve that he used a combination of traditional musical rhetoric figures, conventions understood by his contemporaries, paralinguistic elements such as emotional prosody, and extralinguistic elements such as musical gesture, to portray actions and objects as well as concepts.
Metrics
Downloads
Published
Issue
Section
License
Since 2013, 1700-tal publishes all content online, currently with a one-year delay after the printed version is distributed.
Copyright on any content in 1700-tal is retained by the author(s).
Authors grant 1700-tal a license to publish their contributions in print and online or any other medium and to identify itself as the original publisher.
Authors give 1700-tal the right to distribute their contributions freely under a Creative Commons Attribution License. This implies that any third party has the right to use the contribution freely, provided that its original author(s), citation details and publisher are identified.
For more information on the Creative Commons Attribution License see https://creativecommons.org/licenses/by/4.0/.
Authors have the right to self-archive their contribution in its final form (publisher’s PDF) as soon as the printed version has been distributed.