Performing Manhood: Glahn and the Masculinity Crisis in Hamsun’s ‘Pan’

Chengzhou He

doi:10.7557/13.3755

Forfattere

Chengzhou He the Johns Hopkins University–Nanjing University Center for Chinese and American Studies

DOI:

https://doi.org/10.7557/13.3755

Emneord (Nøkkelord):

Hamsun, masculinity, performativity

Sammendrag

In Hamsun’s novel Pan, Lieutenant Glahn holds an essentialist notion of masculinity that is somewhat outdated in the context of emerging Norwegian modernity. His acts of violence, which are performative of his male pride, not only bring harm to others, but also become destructive to himself. The masculinity crisis enacted in Pan is put into the context of the social, historical, and cultural changes related to gender and modernity that occurred during the end of the 19^th century in Norway and beyond.

Forfatterbiografi

Chengzhou He, the Johns Hopkins University–Nanjing University Center for Chinese and American Studies

Chengzhou He, PhD of Oslo University, is Changjiang Distinguished Professor of English and Drama at Nanjing University, and Foreign Member of the Academy of Europe. He is currently Director of Chinese-Nordic Cultural Center, Chinese Co-Director of the Johns Hopkins University-Nanjing University Center for Chinese and American Studies. In addition to numerous articles in Chinese and English, he has published more than ten books. He is former Chairman of the International Ibsen Committee, and won the ‘Ibsen Medal’ in 2002.